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Quote from CheersDrive

The light is too saturated - everything looks very white almost like a white bloom. What setting would affect this as nothing I have tried works?

The elimination of white color and the brightness will not be ,already mentioned and this was also said by the testers here, the problem is known as I wrote for TML STUDIOS because it applies to both games, No settings will change this, we have to wait for the BETA version of the image update CheersDrive , TML STUDIOS is working on it, other bugs reported if they finish, there will be an update and we hope the image is correct then.

Strong sunlight on objects in the distance can be slightly reduced in the graphics settings.

Post-processing: high :

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Post-processing: medium :

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This stop is overgrown with grass:

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This will be fixed because it must be fine at maximum settings juls2008

Dear Team,

During the night the mirrors are looking strange. Could you please check it?

And I found some interest thing in Paris.

Another site spotted near Karlshure in where building blocks the road

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Wagner Moura (Brazilian) is one of the most talented actors, brilliant performance.

In the expectation of this Beta. I hope that the problem of mods that do not load has been fixed.

In the newest beta i have problem with routes in Flixbus mode , i tried to start from Stuttgart, Kassel first of all when start route it puts me on Non-Flixbus bus stop and there is no passengers, other bus stops i have locked so i can't test it.

Now I can test Beta 1.26. 35419

I will do a series of publications in parts.

- The first problem that I found and was visible right in the game menu is the fog (excessive light and white).
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There are ways to reduce this excess of white, such as setting "post-processing" from "high" and making changes to Gamma and Contrast (little difference). I'm sorry but this problem is extremely gross.


Some images reporting the problem:
(Post-processing in the sequence in low, medium and high)

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Despite the problem the lighting of the game is great. The traffic lights and the cars are clearly visible, the sun's rays on the objects are pleasant and beautiful, even the shadows are good.

I hope that the TML team can fix the problem without affecting these wonderful adjustments.

In my next publication I will address other problems and also highlight what I liked.

The Neoplan mirrors are black20200814121429_1.jpg20200814121432_1.jpg

The Scania bus also has black mirrors during the day.

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At night the image in the mirrors is good (even too bright)

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Thanks Quarney for the answer. TML team is very competent and even with this problem the lighting is incredible, congratulations.

The paintings are being loaded normally, but I have something to report regarding it.

First I want to complement on the subject of enlightenment.

• The mirrors are being affected with the lighting problem together with the vehicle panel, GPS display, reverse camera, the auxiliary cameras that appear when we close the doors. What happens is the same thing that I explained earlier, at times the saturation of white happens and also the excess of black (the image is extremely dark). This variation of light changes all the time in sunny weather.
  20200813171711_1.jpg20200813171729_1.jpg20200813171914_1.jpg

1 - Image on the left: we have the problem of white saturation in the whole scenario, mirror, reverse camera (on the LCD), vehicle panel, the other buses parked, in the background outside the building in sunlight.

2 - Center image: In this example it is a lighting transition, we see an improvement in the image, several points are normalized but others we see the problem of the excess of white, I highlight the rearview mirror and the strip of light (sun) in the asphalt.

3 - Image on the right: A clean and sharp image, but the problem is the reverse, excess of black on the inside of the vehicle and rear view.

The vehicle will undergo light changes all the time because it is in motion. There are times when sunlight gets stronger or darker because clouds block sunlight and other times when the sun will emit a lot of light. It is natural in real life. In the game these variations occur in the extreme for both white and black.

• Returning to the problem of paintings, trying to get around the problem of post-processing I did some configuration tests and found a serious problem.

When changing the "texture quality" setting that was in the "epic" I changed it to "high" I had a surprise.
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1. Left image: "Texture Quality" in the "epic". Normal clean and sharp textures.

2. Right image: "Texture Quality" at "high". Usually between the high and the epic the difference is minimal. In the case between the two the difference is extreme, it seems that at "high" the image is in the lowest possible quality.

• With this problem I noticed a connection with the painting mods.

- In this exchange between "epic" to "high" the painting of the bus and textures of the scenery were inactive or lost quality as I showed the previous example (image of the announcement panel).

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- Another comparison when I switch from "epic" to "high".

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At the moment these were the most serious problems I encountered. In my next publications I will address other problems that I consider mild.

In this publication the problems reported are all between the city of Toulouse and Biarritz.

• I found some errors in positioning objects and incorrect textures on the asphalt (signal strips).

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The Transit was confused at this point.

Following some problems in the same place.

• The side protection of the overpass with a loading problem.
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• The base of the plate is in conflict with the structure of the overpass (bridge).

I believe the problem is the lack of space for this new viaduct model. I suggest making changes to the viaduct by placing a dedicated space (base) to add similar objects such as signs and lampposts. This will facilitate the setting of the scenario and become standardized.

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• A little dirt in the asphalt.
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All of the above reports are located in the same region. I followed the location in the image on the map.



• I don't know if it was put on purpose. A surface above the asphalt.
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